|
|
|
Frida Kahlo Coconut mk118
1951
Oil on canvas
25.4x34.6cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Crying Coconut mk118
1951
Oil on canvas
23.2x50.5cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Between Cloth mk118
1937
Oil on canvas
87x70cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Somethin in the water mk118
1938
Oil on canvas
91x70.5cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Still life mk118
1952
Oil on canvas
25.8x44cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Peace mk118
1952
Oil on canvas
19.1x25.1cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Portrait mk118
1953-1954
Oil on canvas
61x41cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Frame clsss mk118
1938
29x22cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo The Fruit of life mk118
1953
Oil on canvas
45x61cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Abstract mk118
1954
Oil on canvas
76x61cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Two Kahlo mk118
1939
Oil on canvas
173.5x173cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Long live of life mk118
1954
Oil on canvas
52x72cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Self-Portrait mk118
1938-1939
Oil on canvas
59.5x40cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Portrait mk118
1940
Oil on canvas
62.2x47.6cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Bed mk118
1940
Oil on canvas
74x98.5cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo I and parrot mk118
1941
Oil on canvas
82x62.8cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Portrait mk118
1941
Oil on canvas
51x38.5cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo The self-Portrait of artist with monkey mk118
1940
Oil on canvas
55.2x43.5cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Moses mk118
1945
Oil on canvas
61x75.6cm
|
|
|
|
|
|
|
|
|
|
Frida Kahlo Sun and life mk118
1947
Oil on canvsa
40x50cm
|
|
|
|
|
|
|
|
| |
|
|
Frida Kahlo
|
1907-54
Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
|